Showing posts with label Cloud. Show all posts
Showing posts with label Cloud. Show all posts

Tuesday, 16 November 2021

November

George Clausen


November

The landscape sleeps in mist from morn till noon;
And, if the sun looks through, tis with a face
Beamless and pale and round, as if the moon,
When done the journey of her nightly race,
Had found him sleeping, and supplied his place.
For days the shepherds in the fields may be,
Nor mark a patch of sky – blindfold they trace,
The plains, that seem without a bush or tree,
Whistling aloud by guess, to flocks they cannot see.
The timid hare seems half its fears to lose,
Crouching and sleeping ‘neath its grassy lair,
And scarcely startles, though the shepherd goes
Close by its home, and dogs are barking there;
The wild colt only turns around to stare
At passer by, then knaps his hide again;
And moody crows beside the road forbear
To fly, tho’ pelted by the passing swain;
Thus day seems turn’d to night, and tries to wake in vain.
The owlet leaves her hiding-place at noon,
And flaps her grey wings in the doubling light;
The hoarse jay screams to see her out so soon,
And small birds chirp and startle with affright;
Much doth it scare the superstitious wight,
Who dreams of sorry luck, and sore dismay;
While cow-boys think the day a dream of night,
And oft grow fearful on their lonely way,
Fancying that ghosts may wake, and leave their graves by day.
Yet but awhile the slumbering weather flings
Its murky prison round – then winds wake loud;
With sudden stir the startled forest sings
Winter’s returning song – cloud races cloud,
And the horizon throws away its shroud,
Sweeping a stretching circle from the eye;
Storms upon storms in quick succession crowd,
And o’er the sameness of the purple sky
Heaven paints, with hurried hand, wild hues of every dye.
At length it comes among the forest oaks,
With sobbing ebbs, and uproar gathering high;
The scared, hoarse raven on its cradle croaks,
And stockdove-flocks in hurried terrors fly,
While the blue hawk hangs o’er them in the sky.
The hedger hastens from the storm begun,
To seek a shelter that may keep him dry;
And foresters low bent, the wind to shun,
Scarce hear amid the strife the poacher’s muttering gun.
The ploughman hears its humming rage begin,
And hies for shelter from his naked toil;
Buttoning his doublet closer to his chin,
He bends and scampers o’er the elting soil,
While clouds above him in wild fury boil,
And winds drive heavily the beating rain;
He turns his back to catch his breath awhile,
Then ekes his speed and faces it again,
To seek the shepherd’s hut beside the rushy plain.
The boy, that scareth from the spiry wheat
The melancholy crow – in hurry weaves,
Beneath an ivied tree, his sheltering seat,
Of rushy flags and sedges tied in sheaves,
Or from the field a shock of stubble thieves.
There he doth dithering sit, and entertain
His eyes with marking the storm-driven leaves;
Oft spying nests where he spring eggs had ta’en,
And wishing in his heart twas summer-time again.
Thus wears the month along, in checker’d moods,
Sunshine and shadows, tempests loud, and calms;
One hour dies silent o’er the sleepy woods,
The next wakes loud with unexpected storms;
A dreary nakedness the field deforms –
Yet many a rural sound, and rural sight,
Lives in the village still about the farms,
Where toil’s rude uproar hums from morn till night
Noises, in which the ears of Industry delight.
At length the stir of rural labour’s still,
And Industry her care awhile foregoes;
When Winter comes in earnest to fulfil
His yearly task, at bleak November’s close,
And stops the plough, and hides the field in snows;
When frost locks up the stream in chill delay,
And mellows on the hedge the jetty sloes,
For little birds – then Toil hath time for play,
And nought but threshers’ flails awake the dreary day.
 
John Clare 
 
A time-travel poem for those of us a bit weary of the present.







Thursday, 13 December 2018

Snow Flakes

Ian Stephens

Snow-Flakes

Out of the bosom of the Air,
Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare,
Over the harvest-fields forsaken,
Silent, and soft, and slow
Descends the snow.


Even as our cloudy fancies take
Suddenly shape in some divine expression,
Even as the troubled heart doth make
In the white countenance confession,
The troubled sky reveals
The grief it feels.


This is the poem of the air,
Slowly in silent syllables recorded;
This is the secret of despair,
Long in its cloudy bosom hoarded,
Now whispered and revealed
To wood and field.


Henry Wadsworth Longfellow



Snow as an expression of grief.  I don’t usually associate snow with pain, but as I read and reread this poem, it begins to make sense. Longfellow explains that the things on our mind sometimes seem to come to life in the world around us, to take shape in nature. So his hidden and long-held close  grief seems to express itself in snowfall. Like frozen tears, maybe. That line, “Slowly in silent syllables recorded.” is beautiful – and isn’t it true? People don’t always say what’s on their hearts, but it shows in silent ways, it comes out in choices, in little actions, it gives itself away even while we try to hold it back. Is that what Longfellow means by “the secret of despair”? The wanting to hide our pain? I hope nature will speak for us, too, when we are unable.



Saturday, 17 November 2018

Autumn


Nikolai Ustinov




Autumn


There is so little wind at all,
The last leaves cling, and do not fall
From the bare branches' ends; I sit
Under a tree and gaze at it,
A slender web against the sky,
Where a small grey cloud goes by;
I feel a speechless happiness
Creep to me out of quietness.

What is it in the earth, the air,
The smell of autumn, or the rare
And half reluctant harmonies
The mist weaves out of silken skies,
What is it shuts my brain and brings
These sleepy dim awakenings,
Till I and all things seem to be
Kin and companion to a tree?


Arthur Symons
 The Fool of the World and Other Poems (1906).



“What is it…shuts my brain and brings/ these sleepy dim awakenings,/ Till I and all things seem to be/ Kin and companion to a tree?” Yes, what is it? What makes us see and feel for a moment a connection between ourselves and nature? I like how Symons describes it as a sort of sleepy awakening, something only dimly felt. Most of the time I think we feel very different, very other from nature, so when these awakening moments come, they have a strange quality, as if we are on the edge of a mystery. What is our part in this great world? Are we truly connected to these trees and these cycles of seasons? And if we are, what does it mean? What I do know is that looking at the trees around me, being connected to them seems good, just as Symon says, "I feel a speechless happiness/Creep to me out of quietness." (I just noticed the similarity between the sleeping/waking ideas in this poem and the last one - Fox Sleep by W.S. Merwin.)