Sunday, 2 August 2026

You and you, in the pink

 

 

Henri Matisse, Open Window


You and you, in the pink

Matisse: Open window, Collioure 1906

 

Allow that the sea is pink, rich lobster pink,

a distinctly crustaceous pink. Allow it.

Let boats have orange masts, or madder red. Sit

way out over their side, aware that they may sink. 

Sense that the sky is patchy, then note deft shades 

of pastel seascape, horizontal streaks, dabs

of almost white, wavy blues, livid pink slabs

and leaning up against them, plunge your oar blades

into what you must know is bay. You won't see

that underneath each boat is a pane of blue

and glaze of bottle-green unless you're at the

open window in Collioure. Now can you be

sailing off down there and watching yourself through

a pink-framed window? Allowing you are you.

 

Christopher Pilling 

 

Allowing that I know only what I like and am neither art critic nor literary elite, I very much like this poem. Because the sea is not pink. 

 And yet, through this particular window the sea is pink. 


Mr. Pilling makes us into Matisse. He shows us each colour choice, how he makes boat masts orange or madder red, makes a sky out of dabs and streaks, so that we notice the preposterous possibilities.

The sky is not truly made out of streaks of white, or pink slabs - but the artist has made such a sky real, nonetheless.

It's a kind of miracle.

What other miracles are possible when one is an artist?