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| Jamie Wyeth, "New Shoot" |
Poems I carry with me: A Scrapbook
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| Jamie Wyeth, "New Shoot" |
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| Unknown |
Shadow
Mine is falling beside me, a right-angle
Taking my measure by the slant of the sun.
He sifts through grass, encloses whole beds of flowers,
A masked marvel on the face of disaster:
Being run over or stomped, recklessly climbing
Up cliffs, over railings, floating unfathomably
On water, being flung head under heels
Down rocky slopes where he takes the rough with the smooth
Like the light denied him, his surrounding absence.
We meet underfoot at dawn and stretch
Together, but off he goes incredibly further,
A stilted balancing act, who slowly shrinks,
Hardened by noon, to a circus dwarf,
A macrocephalic, blunt, prognathous partner
Clowning and cloggily nimble, squeezing to nothing
Under me, a hole in my ground, but tossing himself
Away toward distant matters again
In the nimbus of sunset, grimly bony.
By nightfall he's gone. The daytime prisoner
Escapes his keeper, completely unhinged
From his obligation to be all things to one man.
But sometimes suddenly leaping out of hiding
Behind my back by firelight, he flickers
With jagged, abrupt abandon
Through bushes and trees, and outsized marauder
Plunging through deeper shadows, threatening
At the edge of sleep to disappear forever.
Each morning he slips back with perfect timing
And waits for me to do anything - flop or flounder,
Even race. The end is always a dead heat.
I'll fall in that dead heat someday, no longer
Insanely predictable, to wait for him
To swivel upright, while a glare of darkness
Dawning beyond a vertical horizon
Cast my light substance - all my light bones
And lighter flesh - into his shadow play.
David Wagoner
This poem but it makes me stutter. Where do I begin? I am too chock with thoughts. It's hard to be coherent.
Let me list. Herd my jittering thoughts into lines.
1) The shadow is "taking his measure"! Watching him, eyeing him up, trying to predict what he's going to do next, or what he's about.
2) The shadow does crazy impossible things, defies gravity, floats on water, can't be crushed, flings itself recklessly around.
3) "A masked marvel on the face of disaster." I picture a manic mini superhero racing toward the cliff-edge.
4) "...the light denied him. His surrounding absence." I like to mull this bit over. The shadow is made of darkness only. How strange! (I realize that even night is a shadow!) And to think that although the shadow can do miraculous things - light destroys it.
5) And then Wagoner writes of the relationship between himself and his shadow, a kind of waiting on each other. Or that the shadow has the job of "Being all things to one man.."
6) The most fascinating idea in a poem full of ideas is this - if his shadow is made of darkness, is he then made of light?
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| Henri Matisse, Open Window |
You and you, in the pink
Matisse: Open window, Collioure 1906
Allow that the sea is pink, rich lobster pink,
a distinctly crustaceous pink. Allow it.
Let boats have orange masts, or madder red. Sit
way out over their side, aware that they may sink.
Sense that the sky is patchy, then note deft shades
of pastel seascape, horizontal streaks, dabs
of almost white, wavy blues, livid pink slabs
and leaning up against them, plunge your oar blades
into what you must know is bay. You won't see
that underneath each boat is a pane of blue
and glaze of bottle-green unless you're at the
open window in Collioure. Now can you be
sailing off down there and watching yourself through
a pink-framed window? Allowing you are you.
Christopher Pilling
Allowing that I know only what I like and am neither art critic nor literary elite, I very much like this poem. Because the sea is not pink.
And yet, when the light hits it right,through this particular window, the sea is pink.
Mr. Pilling makes us into Matisse. He shows us each colour choice, how he makes boat masts orange or madder red, makes a sky out of dabs and streaks, so that we notice the preposterous possibilities.
The sky is not truly made out of streaks of white, or pink slabs - but the artist has made such a sky real, nonetheless.
It's a kind of miracle.
What other miracles are possible when one is an artist?
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| Olivia Clifton-Bligh |
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| Paolo Quaresima |
Ode To Clothing
Each morning you’re waiting
My clothing, on a chair
For me to fill you
With my vanity, my love
My hope, my body
I hardly
Have gotten out of sleep
I say goodbye to the water
I enter into your sleeves
My legs look for
The hollowness of your legs
And so embraced
By your tireless faithfulness
I go out to walk in the grass
I enter into poetry
I look through windows
At things
Men, women,
Deeds and struggles
Keep forming me
Keep coming against me
Laboring with my hands
Opening my eyes
Using up my mouth
And so,
Clothing,
I also keep forming you
Poking out your elbows
Snapping your threads
And so your life grows
Into the image of my life.
In the wind
You ripple and rustle
As if you were my soul.
In bad minutes
You stick
To my bones
Empty, through the night
Darkness, sleep
Populate with their fantasies
Your wings and mine.
I ask
If one day
A bullet
From the enemy
Might leave a spot of my blood on you
And then
You would die with me
Or maybe
It won’t all be
So dramatic
But simple
And you’ll just get feeble,
Clothing,
Growing old
With me, with my body
And together
We will enter
The earth.
That’s why
Every day
I greet you
With reverence and then
You embrace me and I forget you
Because we are just one
And we’ll keep going on together
Against the wind, in the night
The streets, or the struggle
One single body
May be, may be, some time will be immobile.
Pablo Neruda
The clothing - what is it about?
Is Neruda really talking about his shirt?! This idea of putting clothes on, of filling a space, of making a shape, of pushing against and being pushed back - what is it?
"Men, woman, deeds and struggles, keep forming me keep coming against me...and so, clothing, I keep forming you."
Is Neruda speaking of a line between who he is and the life he lives? Is he saying that the things and places he inhabits - even down to the clothing he puts on, are in relationship of wearing and fitting together, of forming each other, of push and pull on both sides - and are also in a kind of protective companionship against bigger forces "...we'll keep going on together/against the wind, in the night"?
I don't know.
Neruda is such a curious poet. I am fascinated. I know so much is missed in translation, but the hook is well-baited, and I can't leave his work alone.
Just thinking about that - even if it wasn't his point, is interesting. Our daily lives as something we put on and wear in, stretch and smooth - something which influences how we act, but also something we influence. A constraint sometimes, but also a companion.
I hadn't thought of it quite like that before.
And then that line -
"I go out to walk in the grass
I enter poetry
I look through windows"
So help me, that is beauty.
Here I am, filling my clothes, looking out my kitchen window -
I see it too, I feel it all around me.
Poetry.