Ice Wager

Johannes Franciscus Hoppenbrouwers

 The Ice Wager

Snowscape. Shod in tailor’s irons,
Red-hot, with my poundage of weights,
I test the ice of our latest year.
Half the world is out on skates

And the other half watches. Avercamp
Or Brueghel bring the wild duck
Out of the skies, and crowd the river
With yellow leggings, anoraks,

Tobogganing children, and those dogs
More loved around here than people—
The blind or the lonely. Winter trees
Turn gelid in the freezing fog,

The roads are churned to slushy meal
By the horses. Zigzags, figures of eight
Complete the picture. But it is real,
Our wager, so place your bet

With the notary on the bank,
Impartial witness. Hollow rumblings
Out on the ice—the iron quoits,
The games in progress. Will it crumble, 

Our little world, or will it hold?
Upriver from the Netherlands’
Oceangoing space, a man skates in,
A traveller, his clasped hands

Behind his back, his earflaps
Dangling. Has it fallen through,
Our worldview? But he brings no news.
Our mulled wine, our potato schnapps

Are all that concern him. Hurdy-gurdies,
Monkey dances. The Good, the True
Are beyond him, where he is travelling to.
It is down, again, to me and you,

Tonight, when I come off the ice
Which, needless to say, has never cracked
In centuries of changing skies,
To carry out the mandatory acts,

Traditional, for the time of year—
Banquets where the loser pays,
White tablecloths for the ice-floes
Junketing on, in hope and fear.

Harry Clifton 

The Holding Centre: Selected Poems 

 

Has the ice cracked? 

Has our worldview collapsed? 

Will our little world crumble?

I love the questions. Are we ready to make a wager on our answers?

 

 

On Parting

Andrew Wyeth

On Parting



It's over you know, the summer's over.
Clouds of dust as the last vehicle went out.


A jeep hauling a small boat on a trailer
Through the dust of the grey country road.


Patterns of tires, patterns of cast leaves
Printed in ashen dust


The next day clouds of snow, the crumbled sky
Falling and settling on the trees
Of the bare abandoned forest.


They have all returned to the city, while I remain
Sorting my summer notebooks:


Drawings of tender plants begun in the spring
Pressings of leaves


Which are prints of tough early autumn, before
The rot comes that thickens
The floor of the woods.


And what lies beneath the snow, the needle duff?
Cities of pebbles and crushed shells,


Kingdoms of beetles, republics of worms,
Forest of hyphae, tangled mycelium,


Roots of trees coming upon each other
In the dark.



Anne Zumigalski




"It's over, you know." Zumigalski is talking about summer - but these days I can't help but feel this poem's broader sense. Life has changed in such a way these last months that seems to mark a definitive "before" and "after", a change of season. What new weather will come, I don't know. I sit here, like the speaker in the poem, "sorting my summer notebooks", thinking over what I have heard and seen and experienced, wondering what it means, and how it will carry me through what is to come.


 

Summer

Eero Järnefelt

Summer

Voluptuous in plenty, summer is

Neglectful of the earnest ones who've sought her.

She best resides with what she images:

Lakes windless with profound sun-shafted water;

Dense orchards in which high-grassed heat grows thick;

The one-lane country road where, on his knees,

A boy initials soft tar with a stick;

Slow creeks which bear flecked light through depths of trees.

And he alone is summer's who relents

In his poor enterprisings; who can sense,

In alleys petal-blown, the wealth of chance;

Or can, supine in a deep meadow, pass

Warm hours beneath a moving sky's expanse,

Chewing the sweetness form long stalks of grass.

Timothy Steele

from The Penguin Book of the Sonnet, ed. Phillis Levin

The line, "summer is neglectful of the earnest ones who've sought her." has given me some pause. Who would that be? Is it the gardeners and farmers to whom summer means the unfolding of their careful plans? Or the person to whom summer signifies the reaching of a goal? That word "sought" seems to infer pursuit. "She best resides with what she images." The word "Image" turned into a verb throws me off. Could it mean that she is in harmony with the one who simply takes in the scenes where she lives? She who is a fullness, an abundance, a generous outpouring, a flourishing, a multiplication, addition (Ha! Take that, Jay Parini, no subtraction here!), an expansion of everything - she smiles at our paltry plans, our miserly notions of Accomplishment, and flings her extravagance in our faces. Flowersflowersflowersleavesleavesleavesfruitfruitfruitfoodfoodfoodfoodand BeautyBeautyBeauty. What accomplishment is greater than this? Let's throw away our lesser goals. Let's lay down in a deep meadow and watch the parade of clouds. Let's be summer's children in her kingdom of bounty.

(And yes, I included this poem mainly because it's about lying down in the grass, one of the great pleasures of life. And here's another poem about it too,  "Silent Noon", by Dante Gabriel Rossetti.)

Entirely

Mary Fedden

Entirely

If we could get the hang of it entirely
It would take too long;
All we know is the splash of words in passing
and falling twigs of song,
And when we try to eavesdrop on the great
Presences it is rarely
That by a stroke of luck we can appropriate
Even a phrase entirely.

If we could find our happiness entirely
In somebody else's arms
We should not fear the spears of the spring nor the city's
Yammering fire alarms
But, as it is, the spears each year go through
Our flesh and almost hourly
Bell or siren banishes the blue
Eyes of Love entirely.

And if the world were black or white entirely
And all the charts were plain
Instead of a mad weir of tigerish waters,
A prism of delight and pain,
We might be surer where we wished to go
Or again we might be merely
Bored but in the brute reality there is no
Road that is right entirely.

Louis MacNeice



MacNeice’s  poem suits my current train of thought well. We want answers. We want to know why and how and who. We think this plus that equals such-and-such.Everything must or should be knowable, understandable, comprehensible. We think the "information" we have is correct, we believe if we know the "facts" we will be strong, we will be better, we can be prepared for things to come. But all that is illusion. We are truly in "a mad weir of tigerish waters, a prism of delight and pain". And it's okay. It is wildly reductive to think that we know much of anything, or understand what the "facts" mean. Learning to ask questions, new questions, recurring questions, questions within questions - this is the way to live. There is grace in exploration, in searching, in waiting for things to become clearer, clear enough for deeper quests. MacNeice writes so eloquently of learning to accept the partiality of our existence. It's a relinquishment of ego, it seems to me, a recognition of aweful compexities that are yet and may always be beyond us. Knowing we don't know is a good thing, it is much easier to learn from that position than from the position of believing we have the answers.