We Wear the Mask

Jean Cocteau

We Wear the Mask

We wear the mask that grins and lies, 

It hides our cheeks and shades our eyes,— 

This debt we pay to human guile; 

With torn and bleeding hearts we smile, 

And mouth with myriad subtleties. 

Why should the world be over-wise, 

In counting all our tears and sighs? 

Nay, let them only see us, while 

       We wear the mask. 

We smile, but, O great Christ, our cries 

To thee from tortured souls arise. 

We sing, but oh the clay is vile 

Beneath our feet, and long the mile; 

But let the world dream otherwise, 

       We wear the mask!

 

Paul Lawrence Dunbar  

A little irony considering the circumstances.

Moth Song

Virgil Elliott



  

Moth Song

I tasted it, the gold

In the gold, I saw the sweetness

At the end of my uncoiling

Tongue, by the beautiful ends

Of what curved from my forehead,

And I swam, gliding, I dove

Through the air toward gold

And sweetness meant to be

Chosen, begging to hold me

And be drawn inside me.

But I stop now, I hang

Still, suddenly suspended

Without having chosen to be

Still in a breeze still full

Of calling and beckoning

Red and blue around gold,

And what comes to meet me

Holds me and turns

My body, spinning a lightness

Around me to fold my wings

Close into a darkness,

And it turns me slowly

Into a flower and drinks me,

And I open, I become

Completely known, I blossom.

David Wagoner

Smoke and moths - we're seeing a lot of both of those these days. Forests burning, moths swarming - it's as if a surfeit, a splurge, a super-abundance has, yes, "blossomed" around us, swirled us within its rhythms, moved us with its influence. Every 10 or so years, when the conditions are just right, the moths come out in great numbers, any window with a light behind it is covered with fluttery moth-bodies, any outside light obliterated with feathered furies. Add to that this misty-musty thickness of smoking forests - it's a strange atmosphere. 

But the poem intrigues me for other reasons as well. This bewildering lure of destruction - what is this? What draws us toward our demise? Why do we dance with death? What is the fascination of fire? I have no answers to this, only questions.

On Parting

Andrew Wyeth

On Parting



It's over you know, the summer's over.
Clouds of dust as the last vehicle went out.


A jeep hauling a small boat on a trailer
Through the dust of the grey country road.


Patterns of tires, patterns of cast leaves
Printed in ashen dust


The next day clouds of snow, the crumbled sky
Falling and settling on the trees
Of the bare abandoned forest.


They have all returned to the city, while I remain
Sorting my summer notebooks:


Drawings of tender plants begun in the spring
Pressings of leaves


Which are prints of tough early autumn, before
The rot comes that thickens
The floor of the woods.


And what lies beneath the snow, the needle duff?
Cities of pebbles and crushed shells,


Kingdoms of beetles, republics of worms,
Forest of hyphae, tangled mycelium,


Roots of trees coming upon each other
In the dark.



Anne Zumigalski




"It's over, you know." Zumigalski is talking about summer - but these days I can't help but feel this poem's broader sense. Life has changed in such a way these last months that seems to mark a definitive "before" and "after", a change of season. What new weather will come, I don't know. I sit here, like the speaker in the poem, "sorting my summer notebooks", thinking over what I have heard and seen and experienced, wondering what it means, and how it will carry me through what is to come.


 

Summer Farm

Henry Mosler

Summer Farm 


Straws like tame lightnings lie about the grass
And hang zigzag on hedges. Green as glass
The water in the horse-trough shines.
Nine ducks go wobbling by in two straight lines.
A hen stares at nothing with one eye,
Then picks it up. Out of an empty sky
A swallow falls and, flickering through
The barn, dives up again into the dizzy blue.
I lie, not thinking, in the cool, soft grass,
Afraid of where a thought might take me – as
This grasshopper with plated face
Unfolds his legs and finds himself in space.
Self under self, a pile of selves I stand
Threaded on time, and with metaphysic hand
Lift the farm like a lid and see
Farm within farm, and in the centre, me.

Norman McCaig 


“Threaded on time…” A pile of selves. Ha! Interesting. Also the idea of lifting a lid and looking down into the scene. Maybe we should be afraid of where our thoughts might take us! Or maybe we just need more practice at it.