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| Balthasar van der Ast |
Sunday, 19 February 2023
Introductions
Sunday, 12 February 2023
Fog
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| Dale Lockwood |
Fog
A vagueness comes over everything,
as though proving color and contour
alike dispensible: the lighthouse
extinct, the islands' spruce-tips
drunk up like milk in the
universal emulsion; houses
reverting into the lost
and forgotten; granite
subsumed, a rumor
in a mumble of ocean.
Tactile
definition, however, has not been
totally banished: hanging
tassel by tassel, panicled
foxtail and needlegrass,
dropseed, furred hawkweed,
and last season's rose-hips
are vested in silenced
chimes of the finest,
clearest sea-crystal.
Opacity
opens up rooms, a showcase
for the hueless moonflower
corolla, as Georgia
O'Keefe might have seen it,
of foghorns; the nodding
campanula of bell buoys;
the ticking, linear
filigree of bird voices.
Amy Clampitt
So many times the only response to a poem I can make
is to be quiet and read it over again.
Clampitt is masterful at description -
I have nothing to say that adds to her work.
She has done it all so beautifully that I see and recognize
each detail.
She makes it sound obvious, simple.
It is anything but.
Tuesday, 17 January 2023
Ice Wager
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| Johannes Franciscus Hoppenbrouwers |
The Ice Wager
Red-hot, with my poundage of weights,
I test the ice of our latest year.
Half the world is out on skates
Or Brueghel bring the wild duck
Out of the skies, and crowd the river
With yellow leggings, anoraks,
More loved around here than people—
The blind or the lonely. Winter trees
Turn gelid in the freezing fog,
By the horses. Zigzags, figures of eight
Complete the picture. But it is real,
Our wager, so place your bet
Impartial witness. Hollow rumblings
Out on the ice—the iron quoits,
The games in progress. Will it crumble,
Upriver from the Netherlands’
Oceangoing space, a man skates in,
A traveller, his clasped hands
Dangling. Has it fallen through,
Our worldview? But he brings no news.
Our mulled wine, our potato schnapps
Monkey dances. The Good, the True
Are beyond him, where he is travelling to.
It is down, again, to me and you,
Which, needless to say, has never cracked
In centuries of changing skies,
To carry out the mandatory acts,
Banquets where the loser pays,
White tablecloths for the ice-floes
Junketing on, in hope and fear.
Sunday, 8 January 2023
The Transfiguration
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| Morgan Weistling |
Through all our veins till we were whole, our wrists
As fresh and pure as water from a well,
Our hands made new to handle holy things,
The source of all our seeing rinsed and cleansed
Till earth and light and water entering there
Gave back to us the clear unfallen world.
But that even they, though sour and travel stained,
Seemed, like our flesh, made of immortal substance,
And the soiled flax and wool lay light upon us
Like friendly wonders, flower and flock entwined
As in a morning field. Was it a vision?
Or did we see that day the unseeable
One glory of the everlasting world
Perpetually at work, though never seen
Since Eden locked the gate that’s everywhere
And nowhere? Was the change in us alone,
And the enormous earth still left forlorn,
An exile or a prisoner? Yet the world
We saw that day made this unreal, for all
Was in its place. The painted animals
Assembled there in gentle congregations,
Or sought apart their leafy oratories,
Or walked in peace, the wild and tame together,
As if, also for them, the day had come.
The Shepherds’ hovels shone clean at the heart
As on the starting-day. The refuse heaps
Were grained with that fine dust that made the world;
For he had said, “To the pure all things are pure.”
And when we went into the town, he with us,
The lurkers under doorways, murderers,
With rags tied round their feet for silence, came
Out of themselves to us and were with us,
And those who hide within the labyrinth
Of their own loneliness and greatness came,
And those tangled in their own devices,
The silent and the garrulous liars, all
Stepped out of their dungeons and were free.
Reality or vision, this we have seen.
If it had lasted but another moment
It might have held for ever! But the world
Rolled back into its place, and we are here,
And all that radiant kingdom lies forlorn,
As if it had never stirred; no human voice
Is heard among its meadows, but it speaks
To itself alone, alone it flowers and shines
And blossoms for itself while time runs on.
Unwanted and unsummoned; for all things,
Beasts of the field, and woods, and rocks, and seas,
And all mankind from end to end of the earth
Will call him with one voice. In our own time,
Some say, or at a time when time is ripe.
Then he will come, Christ the uncrucified
Christ the discrucified, his death undone,
His agony unmade, his cross dismantled—
Glad to be so—and the tormented wood
Will cure its hurt and grow into a tree
In a green springing corner of young Eden,
And Judas damned take his long journey backward
From darkness into light and be a child
Beside his mother’s knee, and the betrayal
Be quite undone and never more be done.
Friday, 30 December 2022
The Winter Palace
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| jennifer irvine |
The Winter Palace
Most people know more as they get older:
I give all that the cold shoulder.
I spent my second quarter-century
Losing what I had learnt at university
And refusing to take in what had happened since.
Now I know none of the names in the public prints,
And am starting to give offence by forgetting faces
And swearing I've never been in certain places.
It will be worth it, if in the end I manage
To blank out whatever it is that is doing the damage.
Then there will be nothing I know.
My mind will fold into itself, like fields, like snow.
Philip Larkin
Forgetting.
It seems like a good way to end the year.
Let's give endings their due.
Let's give the covering over, the forgiving, the yes, forgetting, it's place.
A time for everything, right?
And this is the time for an end.
Let it go.
Let it be.
Forget it.
Friday, 23 December 2022
A Christmas Childhood
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| Morgan Weistling |
How wonderful that was, how wonderful!
And when we put our ears to the paling-post
The music that came out was magical.
Was a hole in Heaven’s gable. An apple tree
With its December-glinting fruit we saw –
O you, Eve, were the world that tempted me
And death the germ within it! Now and then
I can remember something of the gay
Garden that was childhood’s. Again
A green stone lying sideways in a ditch,
Or any common sight, the transfigured face
Of a beauty that the world did not touch.
Outside at our gate;
There were stars in the morning east
And they danced to his music.
To Lennons and Callans.
As I pulled on my trousers in a hurry
I knew some strange thing had happened.
Made the music of milking;
The light of her stable-lamp was a star
And the frost of Bethlehem made it twinkle.
Mass-going feet
Crunched the wafer-ice on the pot-holes,
Somebody wistfully twisted the bellows wheel.
On the grey stone,
In silver the wonder of a Christmas townland,
The winking glitter of a frosty dawn.
Cassidy’s hanging hill,
I looked and three whin bushes rode across
The horizon — the Three Wise Kings.
‘Can’t he make it talk –
The melodion.’ I hid in the doorway
And tightened the belt of my box-pleated coat.
With my penknife’s big blade –
There was a little one for cutting tobacco.
And I was six Christmases of age.
My mother milked the cows,
And I had a prayer like a white rose pinned
On the Virgin Mary’s blouse.
Sunday, 18 December 2022
Snow
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| Lucy Almy-Bird |
Snow
What is it to talk about silence?
When I look up from my table
it will still be there
where it fell in the night,
hurrying to congregate
in the cone cast by the streetlamp,
and in the darkness, the others,
unseen but legion.
How bruise-blue the shadows
on the garden
and the frozen cobwebs
snapped beneath their weight.
In the park we blundered
across it, the quiet,
in spite of its exclamatory outline
on bare trees,
down great hushed halls of white
and the white lake picked out in kanji
by the moorhen's feet.
Are there words for what I felt
in the faceted garden?
Motes, corpuscles, animalcules.
And it is a relief to feel it touch me
with its meaning,
it's vast multitudinous silence,
again and again.
Catriona O'Reilly
Geis (2015)
I love that, "in the darkness, the others, unseen but legion" -
or - "down great hushed halls of white".
"Are there words for what I felt?"
That truly is the question.
In the mutitudinous presence of such artistry,
what response can there be, but silence?
Silence and wonder.






