Sunday, 25 May 2025
On a Boat
Monday, 5 May 2025
The Waggon-Maker
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| Carl Larsson |
The Waggon-Maker
I have made tales in verse, but this man made
Waggons of elm to last a hundred years;
The blacksmith forged the rims and iron gears,
His was the magic that the wood obeyed.
Each deft device that country wisdom bade,
Or farmers' practice needed, he preserved.
He wrought the subtle contours, straight and curved
Only by eye, and instinct of the trade.
No weakness, no offense in any part,
It stood the strain in mired fields and roads
In all a century's struggle for its bread;
Bearing, perhaps, eight thousand heavy loads,
Beautiful always as a work of art,
Homing the bride, and harvest, and men dead.
John Masefield
A perfect poem. How every word fits snug in its place! - I feel an intertwining of the writer and his subject. In his appreciation of the carpenter's craft, there is an equal echo in his own.
The way he writes, "I have made tales in verse, but this man made..." and then describes the wisdom of the woodworker and blacksmith, how they use a knowledge passed down to them through time, and with this create something useful and beautiful to last a hundred years.
That sense of Time! And wisdom passed down! And that "only by eye" and instinct! This is an artist recognizing another's artistry.
It gives me chills.
There is something gorgeous in the meeting of arts.
A recognition of the highest purposes? Beauty and Truth, or Beauty and Usefulness?
Together, they are a powerhouse, an explosion, a celebration.
I walk away from the poem wishing I had a part in that Beauty-work.
Sunday, 27 April 2025
The Thrush's Nest
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| Bruno Liljefors |
The Thrush's Nest
Within a thick and spreading hawthorn bush
That overhung a molehill large and round,
I heard from morn to morn a merry thrush
Sing hymns to sunrise, and I drank the sound
With joy; and often, an intruding guest,
I watched her secret toil from day to day -
How true she warped the moss to form a nest,
And modelled it within with wood and clay;
And by and by, like heath-bells gilt with dew,
There lay her shining eggs, as bright as flowers,
Ink-spotted over shells of greeny blue;
And there I witnessed, in the sunny hours,
A brood of nature's minstrels chirp and fly,
Glad as the sunshine and the laughing sky.
John Clare
from The Penguin Book of the Sonnet, ed. Phillis Levin
John Clare, bird enthusiast, bird poet.
"I drank the sound with joy."
And that's the impression I get - that Clare was a man who needed nature to bring him
out of himself, to lift him up. The birds fed his soul.
I can relate.
Sunday, 6 April 2025
Forty Shades of Green
A Crown/Dulux/Farrow and Ball Poem
I
Tunsgate Green
Green Ground
Cooking Apple Green
Churlish Green
Saxon Green
Folly Green
Minster Green
Vert de Terre
Card Room Green
Breakfast Room Green
II
Teresa’s Green
Soft Fauna
Woodland Pearl
Jungle Fever
Peppermint Beach
Amazon Jungle
Soft Moss
Lime Zest
Kiwi Burst
Willow Creek
III
Grecian Garland
Forest Falls
Paradise Green
Grecian Spa
Minted Glory
Deep Ivy
Woodland Fern
Tarragon Glory
Apple Mist
Soft Lime
IV
Cool Aqua
Wind Chime
Olive Tropics
Lunch Date
Soft Khaki
Chartreuse Mix
Dragonfly
Bamboo Leaf
Soft Duck Egg
Emerald Delight
Sunday, 23 March 2025
Taxman
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| Adriaen van Ostade |
Sunday, 9 March 2025
Words
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| Agnelo Bronzino |
Words
Always the arriving winds of words
Pour like Atlantic gales over these ears,
These reefs, these foils and fenders, these shrinking
And sea-scalded edges of the brainland.
Rebutted and rebounding, on they post
Past my remembrance, falling all unplanned.
But some day out of the darkness they'll come forth,
Arrowed and narrowed into my tongue's tip,
And speak for me -- their most astonished host.
W.R. Rodgers
The image of words as a wind, a storm, as waves hitting the "sea-scalded edges of the brainland" is so perfectly fitting.
Ceaseless, loud, battering - this is a familiar, daily experience.
The thought that some day this gale might turn, might come from me instead of at me,
I'm not sure if that's a good thing.
Sunday, 9 February 2025
Top of the Stove
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| Hubert Shuptrine |
And then she would lift her griddle
tool from the kindling bin, hooking one
end through a hole in the cast-iron disk
to pry it up with a turn of her wrist.
Our faces pinked over to watch coal
chunks churn and fizz. This was before
I had language to say so, the flatiron
hot all day by the kettle, fragrance
of coffee and coal smoke over
the kitchen in a mist. What did I know?
Now they've gone. Language remains.
I hear her voice like a lick of flame
to a bone-cold day. Careful, she says.
I hold my head close to see what she means.
David Baker






