Saturday, 16 April 2022

The Ear

 

J. G. M. von Bremen

The Ear

 

There are many sounds which are neither music nor voice,

There are many visitors in masks or in black glasses

Climbing the spiral staircase of the ear. The choice

Of callers is not ours. Behind the hedge

Of night they wait to pounce. A train passes,

The thin and audible end of a dark wedge.

We should like to lie alone in a deaf hollow

Cocoon of self where no person or thing would speak:

In fact we lie and listen as a man would follow

A willo' the wisp in an eyeless bog,

Follow the terrible drone of a cock-chafer, or the bleak

Oracle of a barking dog.


Louis MacNeice

 

"Many visitors in masks or black glasses..."

Does any one of those callers bring a message of hope? 

 

 

Monday, 7 March 2022

When It's All Over

 

 

Nicholas Hely Hutchinson

 

When It's All Over

 

I'm going to throw open my windows and yell: 'hallelujah',

dial up friends in the middle of the night to give them

the glad tidings, e-mail New South Wales and Pacific Palisades,

glorify the kitchen by making sixteen summer puddings,

watch blackberry purple soak slowly into 

the bread and triumph over the curved glass of the bowls.

 

When it's all over I'll feed my cracked skin

with lavender and aloe vera, lower my exhausted body into

foaming cream, clear honey and let it wallow,

reward it with a medal, beautify it with garlands of thornless roses

wrap it in sleep,Then from the tents of blurred dreams

I'll leap like a kangaroo, spout like a whale.


Once it's over I'm going to command my computer to bellow

'Land of Hope and Glory', loudspeaker my news

down these miles of orderly streets where the houses wear

mock Tudor beams and plastic Greek columns, dance

the Highland Fling in front of controlled tubs of cockerel geraniums

sigh with enormous satisfaction when I make the evening headlines.


When it's finally over I'm going to gather these fantasies,

fling them into my dented and long-lost college trunk,

dump it in the unused cellar

            climb back to strength

                        up my rope of words.


Myra Schneider

 

Gabriele Munter

Yes, when it's all over. That's my effort against cynicism right there. It's easier to be cynical. Hope is harder. And optimism feels downright ridiculous considering what has happened in this country these last years. 

But in order to stand, the people need a vision, a goal. Like Martin Luther King Jr., we need a dream. 

Imagine what feasts we're going to lay out. What gatherings of unlikely souls we're going to join. What numbers of strangers we will laugh with and embrace. What spontaneity of gestures and stories we will tell. What singing there will be in the streets. What upwellings of thankfulness and generosity will be shown. What praise will be given to God. What reunions will be enacted among us.

It's not easy to envision when the opposite plays out before our eyes. 

But as Good Denys says,"Courage, mon ami! La diable est mort!"

Let's prepare.

Let's dream against the dark.


 

 

 

 

 

Sunday, 16 January 2022

Bell

  
   

Unknown


Bell

This newness of snow. This boot-ringing

as the snow warms in the sun to crush. These holes

we wind around the witnessing pines. This

violation of white. This slowness of moose.

This counting of steps. This counting of scars

in the bark: the wary burl bulging low

on the trunk, the black scratchings left

by a bear learning to climb. This counting

of sleeps between this country and the next country

we call home. These branches shucking off

the statuesque in avalanches of needles and ice.

This progress, as in the wind-scalloped snow meadow

pretending to be moon. This love that sets us scrambling

over the map's last ridge, our red hoods bright

in shrunken sky. This metallic weather in which we

are the ore. This alder. These crimson-tipped willows

reverberating next to a river of turquoise ice. This

following the deep tracks of one coyote stepping

where another has stepped. This wilderness

that we trespass, burning like berries in the juniper

and becoming the air in the belfry.

Cecily Parks 

 

It's as if we are walking with the speaker, as if she is pointing out each thing to us, "This, this..." as if in proof of something spoken of before the poem began. Almost as if she is taking us on the trail of something, the signs, as it were - clues. 

And what do they lead to or from?

 

 

 

Thursday, 6 January 2022

Sledding in Wichita


Claudette Castonguay


Sledding in Wichita

 

As cars pass, laboring through the slush,
a boy, bundled against the stiff wind
in his snow suit, gloves, and scarf,
leans on his upright toboggan,
waiting his turn atop
the snow-packed overpass—
the highest point in town.
First one car exits, and then another,
each creeping down the icy ramp.
The brown grass pokes through
the two grooves carved in the short hill.
As the second car fishtails to a stop at the bottom,
brake lights glowing on the dirty snow,
the boy’s turn comes.
His trip to the bottom is swift—
only a second or two—
and he bails out just before the curb.
It’s not much, but it’s sledding in Wichita.

Casey Pycior
 
 
The unusually beneficent state of Snow we have been living in has brought back memories of hill-hunting and the joy of even the very briefest speed-gathering velocities of sledding in urban settings where every bump and lump of landscape becomes a possibility for fun and danger - especially in an otherwise flat environment.
 
 It's not much, but it's also everything.

 



Tuesday, 28 December 2021

Building the Fire


Tatyana Sergeevna


Building the Fire
from "Snowbound"
 
As night drew on, and, from the crest 
Of wooded knolls that ridged the west, 
The sun, a snow-blown traveller, sank 
From sight beneath the smothering bank, 
We piled, with care, our nightly stack 
Of wood against the chimney-back,— 
The oaken log, green, huge, and thick, 
And on its top the stout back-stick; 
The knotty forestick laid apart, 
And filled between with curious art 
The ragged brush; then, hovering near, 
We watched the first red blaze appear, 
Heard the sharp crackle, caught the gleam 
On whitewashed wall and sagging beam, 
Until the old, rude-furnished room 
Burst, flower-like, into rosy bloom; 
While radiant with a mimic flame 
Outside the sparkling drift became, 
And through the bare-boughed lilac-tree 
Our own warm hearth seemed blazing free. 
The crane and pendent trammels showed, 
The Turks’ heads on the andirons glowed; 
While childish fancy, prompt to tell 
The meaning of the miracle, 
Whispered the old rhyme: “Under the tree, 
When fire outdoors burns merrily, 
There the witches are making tea.” 

The moon above the eastern wood 
Shone at its full; the hill-range stood 
Transfigured in the silver flood, 
Its blown snows flashing cold and keen, 
Dead white, save where some sharp ravine 
Took shadow, or the sombre green 
Of hemlocks turned to pitchy black 
Against the whiteness at their back. 
For such a world and such a night 
Most fitting that unwarming light, 
Which only seemed where’er it fell 
To make the coldness visible. 

Shut in from all the world without, 
We sat the clean-winged hearth about, 
Content to let the north-wind roar 
In baffled rage at pane and door, 
While the red logs before us beat 
The frost-line back with tropic heat; 
And ever, when a louder blast 
Shook beam and rafter as it passed, 
The merrier up its roaring draught 
The great throat of the chimney laughed; 
The house-dog on his paws outspread 
Laid to the fire his drowsy head, 
The cat’s dark silhouette on the wall 
A couchant tiger’s seemed to fall; 
And, for the winter fireside meet, 
Between the andirons’ straddling feet, 
The mug of cider simmered slow, 
The apples sputtered in a row, 
And, close at hand, the basket stood 
With nuts from brown October’s wood. 

John Greenleaf Whittier
"100 Plus American Poems" - Paul Malloy

 


"The sun, a snow-blown traveller."
 
"The old, rude-furnished room/ Burst, flower-like, into rosy bloom."
 
 "Most fitting that unwarming light/Which only seemed where'ere it fell/to make the coldness visible.""The cat's dark silhouette on the wall/A couchant tiger's seemed to fall."
 
 
O to be snowbound.
 
 
 
 

Saturday, 25 December 2021

Come Christmas

Verigo Anatoly Konstantinovich

 
Come Christmas

You see this Christmas tree all silver gold?
It stood out many winters in the cold,

with tinsel sometimes made of crystal ice,
say once a winter morning - maybe twice.

More often it was trimmed by fallen snow
so heavy that the branches bent, with no

one anywhere to see how wondrous is
the hand of God in that white world of his.

And if you think it lonely through the night
when Christmas trees in houses take the light,

remember how his hand put up one star
in this same sky so long ago afar.

All stars are hung so every Christmas tree
has one above it. Let's go out to see.

David McCord
 
 
"With no one anywhere to see how wondrous..."  If there ever was a theme I could go on about indefinitely, this is it. How God makes extraordinary things and broadcasts them so generously and seemingly haphazardly that some end up in places where no one sees them.

 No one, that is, but Him. 

The precious, the gorgeous, the intricate - all within His scope and His view - known and treasured. All. None forgotten or overlooked or unnappreciated. All beloved.






Monday, 13 December 2021

Evening Snow

     



Evening snowfall, with the faint dry crunch
Of straw that stable horses twist and munch.

Kyukoko

fr. A Net of Fireflies
translated by Harold Stewart



Snowfall - one of my favourite things. The translation of this haiku might not be the best, but the image and the subject matter still do it for me. It intrigues me how something cold can also give off such a quality of warmth - of covering and insulating. How that works I don't know.