Unknown |
Zinc Lid
It’s the gray of canning season rain,
neither cool nor warm, and mottled
with feeble light. There’s a moony
milk-glass insert ringed by rubber
and a dent where somebody rapped it
to break the seal. But its cucumber
summers, dill and brine, are over.
No more green Mason jars cooling,
no generations of dust beneath
the cellar stairs, the ancient quarts
of tomatoes like balls of wax,
the pickles slowly going gray
as kidneys, pale applesauce settling
out of its syrup. Today, on a bench
in a dark garage it’s upside down,
a miniature galvanized tub adrift
on time, and in it two survivors,
a bolt that once held everything
together, season in and season out,
and a wing nut resting its wings.
Ted Kooser
"...Two survivors."
The contrast between the purpose - that of storing abundance for future food, and the grayness, the reduced and dusty "survivors" of that hopeful outlook, grips me with its grimness.
This has been a theme in my life, that of standing in the ruins of a once-established dream - a house or a garden or a person - and being asked to work with the things that remain.
And the things that remain?
In Kooser's poem, I see hope.
Two survivors.
Not much, but having lived and re-lived this particular, I understand that this is all that's needed.
"Season in and season out..."
There is something (or someOne) who holds everything together.
And because of Him the future is stored with abundance and fullness and life.
I rest in the shadow of His wings.
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