Charles Hardaker |
One Art
The art of
losing isn’t hard to master;
so many
things seem filled with the intent
to be lost
that their loss is no disaster.
Lose
something every day. Accept the fluster
of lost door
keys, the hour badly spent.
The art of
losing isn’t hard to master.
Then
practice losing farther, losing faster:
places, and
names, and where it was you meant
to travel.
None of these will bring disaster.
I lost my
mother’s watch. And look! my last, or
next-to-last,
of three loved houses went.
The art of
losing isn’t hard to master.
I lost two
cities, lovely ones. And, vaster,
some realms
I owned, two rivers, a continent.
I miss them,
but it wasn’t a disaster.
—Even losing
you (the joking voice, a gesture
I love) I
shan’t have lied. It’s evident
the art of
losing’s not too hard to master
though it may look like (Write
it!) like disaster.
Elizabeth
Bishop
Losing as an art. Of course this is an ironic poem, making light of something which is quite painful, but I’ve been
thinking about it. It goes well with "Losers" by Carl Sandburg
(posted Oct. 3, 2017). That was about being a failure, while this is about
losing things, memories, places and people. But the idea is similar. The power
of inside-out or reverse thinking. We don't think of losing things as
good, but in fact, it's essential. There are several instances in nature that illustrate this: snakes shedding their skins, birds
moulting their feathers, chicks breaking out of their shells, and yes, I'll
even add the cliched-but-still-fantastic butterfly leaving behind its cocoon. In all these, losing is a sign of growth. Could losing
things be a sign of growth for us, too? Is leaving a place behind us a way of
spreading outward? Maybe, maybe we could see that - but people? How is losing
people an indication of enlargement? There are so many ways to lose someone!
And what about forgetting? How is losing our minds, our memories, that thing we
call "ourselves" - growth? It looks disastrous. She's right about that. But what if this
place, this form, aren't our finished place and form. What if, like a hermit crab, what we are here
and now is too small for what we're meant to be and where we're meant to fit. (There's a Jim Elliot quote I
heard when I was young that comes to mind: "He is no fool who gives what he cannot keep, to
gain what he cannot lose.") What if losing bits of what we imagine is ourselves, leaving our coat of self-stories and our carefully constructed carapaces of identity is the only way to open, to unfold, to bloom?
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