Introductions

Balthasar van der Ast

Introductions

Some of what we love

we stumble upon—

a purse of gold thrown on the road,

a poem, a friend, a great song.

And more

discloses itself to us—

a well among green hazels,

a nut thicket—

when we are worn out searching

for something quite different.

And more

comes to us, carried

as carefully

as a bright cup of water,

as new bread.

Moya Cannon

How many of the things we love have been stumbled upon, run into, or been shown us by a friend? How many times while walking have we come around a bend to a view so unexpectedly gorgeous - a tree with leaves on fire or a corner pocket of woods crowded with Queen Anne's Lace? What about the day Mung Bean and I were talking in the schoolyard and happened to look up at what I've never seen before or since - a rainbow ring around the sun?

 

So many beautiful things have found me.

 

The cobalt feather of a Stellar Jay, a Golden Cowrie shell, a piece of worm-eaten wood that looks like a miniature landscape - that's not even getting into the books that have jumped at me, or the poems, or how a painting gripped me by the neck as my eye ran over a wall...

 

Hello, gifts.

 

Glad to meet you.

 

Shadows

Linda Bennett

Shadows

And if tonight my soul may find her peace
in sleep, and sink in good oblivion,
and in the morning wake like a new-opened flower
then I have been dipped again in God, and new-created.

And if, as weeks go round, in the dark of the moon
my spirit darkens and goes out, and soft strange gloom
pervades my movements and my thoughts and words
then I shall know that I am walking still
with God, we are close together now the moon’s in shadow.

And if, as autumn deepens and darkens
I feel the pain of falling leaves, and stems that break in storms
and trouble and dissolution and distress
and then the softness of deep shadows folding,
folding around my soul and spirit, around my lips
so sweet, like a swoon, or more like the drowse of a low, sad song
singing darker than the nightingale, on, on to the solstice
and the silence of short days, the silence of the year, the shadow,
then I shall know that my life is moving still
with the dark earth, and drenched
with the deep oblivion of earth’s lapse and renewal.

And if, in the changing phases of man’s life
I fall in sickness and in misery
my wrists seem broken and my heart seems dead
and strength is gone, and my life
is only the leavings of a life:

and still, among it all, snatches of lovely oblivion, and snatches of renewal
odd, wintry flowers upon the withered stem, yet new, strange flowers
such as my life has not brought forth before, new blossoms of me

then I must know that still
I am in the hands of the unknown God,
he is breaking me down to his own oblivion
to send me forth on a new morning, a new man.

 

D.H. Lawrence

 

 "...then I shall know that I am walking still/ with God we are close together now.."

There are so many distractions and stresses, there always have been - coming in from in so many directions. These days I look for the constants, the things that don't change. I find so much comfort there. Like the speaker in this poem, I go to sleep at night committing my existence into the hands of the God I trust with everything. The God who remains Himself no matter what dark cloud I find myself under, no matter what I don't know and can't control. The God who knows me fully and loves me entirely and who is able (and willing) to re-create me, transform me, lift me up beyond cloud or circumstance. The God with whom all good things are possible. "

"New blossoms of me." for instance, 

"strange flowers such as my life has not brought forth before."

 

 

Daisies

Unknown

Daisies

It is possible, I suppose, that sometime

we will learn everything

there is to learn: what the world is, for example,

and what it means. I think this as I am crossing

from one field to another, in summer, and the

mockingbird is mocking me, as one who either

knows enough already or knows enough to be

perfectly content not knowing. Song being born

of quest he knows this: he must turn silent

were he suddenly assaulted with answers. Instead




oh hear his wild, caustic, tender warbling ceaselessly

unanswered. At my feet the white-petaled daisies display

the small suns of their center-piece - their, if you don't

mind my saying so - their hearts. Of course

I could be wrong, perhaps their hearts are pale and

narrow and hidden in the roots. What do I know.

But this: it is heaven itself to take what is given,

to see what is plain; what the sun

lights up willingly; for example - I think this

as I reach down, not to pick but merely to touch -

the suitability of the field for the daisies, and the

daisies for the field.

Mary Oliver



More Mary Oliver. More of her poems to punctuate my days. She recalls me to nature, and especially the "personal" natural world. "Science"might quibble, might say she anthropomorphizes, which is to accuse her of being childish and sentimental. I disagree. Seeing an animal or object as having personal meaning to us, having individuality (in the sense of uniqueness and purpose), and of their existence impacting us, as in "saying" or communicating a message to us, all of this seems obvious and true to me. (It's very strange to think that scientists, of all people, whose work involves studying natural things and phenomena closely, and whose lifework is so enjoined with nature that it could be said that it becomes part of their person; and whose attempts to describe and explain what they discover comes more close to pure poetry than any other profession aside from poets themselves, that they have so often been the ones telling us "Don't make this about you! Don't ascribe human characteristics to other forms of life!" is incredible. Impossible. "Take what is given..see what is plain."! 

 

 I walk through a field of daisies, and wonder what the mockingbird is singing about. It is singing about something that matters, both to it and to me. I look at a daisy and say it has a heart, meaning that it has a centre, an intention, and a Source - as I do - and recognize the thread between us, the pattern and symmetry we both are part of. 

 

Fact is only part of the truth. Proof is in life, in how we live in spite of what we say we think. It's personal. The bird mocks us, "as one who knows enough already or knows enough to be perfectly content not knowing". No matter how much we learn, birdsongs and flower hearts will always be speaking to us of more. Learning "all there is to learn" is not necessary, not the point. The connection, the pattern, the Source, all these, these are better than knowing. As cummings said in "little birds" ,

"may my heart always be open to little
 birds who are the secret of living
whatever they sing is better than to know". 

The Skylark

Steven Outram

The Skylark

A song alone

comes down - and of the skylark

the last trace is gone.

Ampu

from "An Introduction to Haiku: an anthology of poems and poets from Basho to Shiki" by Harold G. Henderson

 Haiku only seems simple. I know almost nothing about the tradition, but from the little that I’ve read I’ve learned that most significant thing of all - I know almost nothing. In the sense that there are worlds of expression to explore yet. For one thing, that a poem’s art might be in what is not said, or what is there but not said – that’s more what I mean. And the Japanese poets are dedicated students of this. It’s not merely distillation of a thought, it’s getting to that level of writing where each word is a door swinging open to a new place. When it comes to poetry, how many words are enough? Is it possible that what our words have lost is a sense of silence, of falling into depths beyond words? When I read this haiku – a translation, it’s important to remember (a thousand subtleties have been lost) – I hear so many different notes. Loss, loneliness, the song (what is that song - what does it signify?), the element of nature, nature as a foil for human destinies, the qualities of the skylark – the symbolic nature of the bird. And this is without knowing any of the cultural language code being employed. I know so little. I know beauty, though, when I hear it.