Anna Larmoliuk |
Lilacs
Lilacs,
False blue,
White,
Purple,
Color of
lilac,
Your great
puffs of flowers
Are
everywhere in this my New England.
Among your
heart-shaped leaves
Orange
orioles hop like music-box birds and sing
Their little
weak soft songs;
In the
crooks of your branches
The bright
eyes of song sparrows sitting on spotted eggs
Peer
restlessly through the light and shadow
Of all
Springs.
Lilacs in
dooryards
Holding
quiet conversations with an early moon;
Lilacs
watching a deserted house
Settling
sideways into the grass of an old road;
Lilacs,
wind-beaten, staggering under a lopsided shock of bloom
Above a
cellar dug into a hill.
You are
everywhere.
You were
everywhere.
You tapped
the window when the preacher preached his sermon,
And ran
along the road beside the boy going to school.
You stood by
the pasture-bars to give the cows good milking,
You
persuaded the housewife that her dishpan was of silver.
And her
husband an image of pure gold.
You flaunted
the fragrance of your blossoms
Through the
wide doors of Custom Houses—
You, and
sandal-wood, and tea,
Charging the
noses of quill-driving clerks
When a ship
was in from China.
You called
to them: “Goose-quill men, goose-quill men,
May is a
month for flitting.”
Until they
writhed on their high stools
And wrote
poetry on their letter-sheets behind the propped-up ledgers.
Paradoxical
New England clerks,
Writing
inventories in ledgers, reading the “Song of Solomon” at night,
So many verses
before bed-time,
Because it
was the Bible.
The dead fed
you
Amid the
slant stones of graveyards.
Pale ghosts
who planted you
Came in the
nighttime
And let
their thin hair blow through your clustered stems.
You are of
the green sea,
And of the stone
hills which reach a long distance.
You are of
elm-shaded streets with little shops where they sell kites and marbles,
You are of
great parks where every one walks and nobody is at home.
You cover
the blind sides of greenhouses
And lean
over the top to say a hurry-word through the glass
To your
friends, the grapes, inside.
Lilacs,
False blue,
White,
Purple,
Color of
lilac,
You have
forgotten your Eastern origin,
The veiled
women with eyes like panthers,
The swollen,
aggressive turbans of jeweled pashas.
Now you are
a very decent flower,
A reticent
flower,
A curiously
clear-cut, candid flower,
Standing
beside clean doorways,
Friendly to
a house-cat and a pair of spectacles,
Making
poetry out of a bit of moonlight
And a
hundred or two sharp blossoms.
Maine knows
you,
Has for
years and years;
New
Hampshire knows you,
And
Massachusetts
And Vermont.
Cape Cod
starts you along the beaches to Rhode Island;
Connecticut
takes you from a river to the sea.
You are
brighter than apples,
Sweeter than
tulips,
You are the
great flood of our souls
Bursting
above the leaf-shapes of our hearts,
You are the
smell of all Summers,
The love of
wives and children,
The
recollection of gardens of little children,
You are
State Houses and Charters
And the
familiar treading of the foot to and fro on a road it knows.
May is lilac
here in New England,
May is a
thrush singing “Sun up!” on a tip-top ash tree,
May is white
clouds behind pine-trees
Puffed out
and marching upon a blue sky.
May is a
green as no other,
May is much
sun through small leaves,
May is soft
earth,
And
apple-blossoms,
And windows
open to a South Wind.
May is full
light wind of lilac
From Canada
to Narragansett Bay.
Lilacs,
False blue,
White,
Purple,
Color of
lilac.
Heart-leaves
of lilac all over New England,
Roots of
lilac under all the soil of New England,
Lilac in me
because I am New England,
Because my
roots are in it,
Because my
leaves are of it,
Because my
flowers are for it,
Because it
is my country
And I speak
to it of itself
And sing of
it with my own voice
Since
certainly it is mine.
Amy Lowell
“Lilacs. You are everywhere.”
I had to add this poem because there are lilacs everywhere right now. They were
here last spring as well, but this year they
seem to be jumping out at me from around every corner. And this poem! It
reminds me so much of Neruda’s odes that I had to look up whether they could
have known each other. Amy lived from 1874-1925, Pablo from 1904-1925, so their
time overlapped alright. I really need to read more about the lives of the
poets. How they influenced each other is interesting. Anyway, Neruda would have
appreciated this poem, I think. History, love of country, people, birds, clouds
– lilacs get into everything. “You are the great flood of our souls/Bursting
above the leaf-shapes of our hearts/You are the smell of all Summers,” oh I
love that. And then the beautiful finale – “Because my roots are in it,/Because
my leaves are of it,/Because my flowers are for it,/Because it is my country”. (The
painting by Anna Lamoliuk doesn’t exactly match the poem’s style, but the
painting is what led me to the poem, and I’ve been waiting to put it in for a
long time.)
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