Sunday, 25 May 2025

On a Boat

Barry Moser





On a Boat, Awake at Night

Faint wind rustles reeds and cattails;
I open the hatch, expecting rain -- moon floods the lake.
Boatmen and water birds dream the same dream;
a big fish splashes off like a frightened fox.
It's late -- men and creatures forget each other
while my shadow and I amuse ourselves alone.
Dark tides creep over the flats -- I pity the cold mud-worms;
the setting moon, caught in a willow, lights a dangling spider.
Life passes swiftly, hedged by sorrow;
how long before you've lost it -- a scene like this?
Cocks crow, bells ring, a hundred birds scatter;
drums pound from the bow, shout answers shout.

Su Tung-p'o (1037-1101) (translated by Burton Watson)
 
 
 
This scene, described in such specific detail, comes alive. I am there, seeing and hearing these things, thinking these thoughts. 
 
It's magic. 
 
And then I look at the dates! Really? 
 
1037-1101? 
 
It could be this minute! 
 
What is the name for this? Time travel + mind meld + the ability to repeat this experience every time we want?
 
If you know of a word for it, tell me please!
 





Monday, 5 May 2025

The Waggon-Maker

 

Carl Larsson

The Waggon-Maker


I have made tales in verse, but this man made

Waggons of elm to last a hundred years;

The blacksmith forged the rims and iron gears,

His was the magic that the wood obeyed.


Each deft device that country wisdom bade,

Or farmers' practice needed, he preserved.

He wrought the subtle contours, straight and curved

Only by eye, and instinct of the trade.


No weakness, no offense in any part,

It stood the strain in mired fields and roads

In all a century's struggle for its bread;

Bearing, perhaps, eight thousand heavy loads,

Beautiful always as a work of art,

Homing the bride, and harvest, and men dead.


John Masefield


A perfect poem. How every word fits snug in its place!  - I feel an intertwining of the writer and his subject. In his appreciation of the carpenter's craft, there is an equal echo in his own. 

The way he writes, "I have made tales in verse, but this man made..." and then describes the wisdom of the woodworker and blacksmith, how they use a knowledge passed down to them through time, and with this create something useful and beautiful to last a hundred years.

That sense of Time! And wisdom passed down! And that "only by eye" and instinct! This is an artist recognizing another's artistry.

It gives me chills. 


There is something gorgeous in the meeting of arts.

A recognition of the highest purposes? Beauty and Truth, or Beauty and Usefulness?

Together, they are a powerhouse, an explosion, a celebration.


I walk away from the poem wishing I had a part in that Beauty-work.