Sunday, 16 November 2025

House On a Cliff




House On a Cliff

Indoors the tang of a tiny oil lamp. Outdoors
The winking signal on the waste of sea.
Indoors the sound of the wind, outdoors the wind.
Indoors the locked heart and the lost key.

Outdoors the chill, the void, the siren. Indoors
The strong man pained to find his red blood cools,
While the blind clock grows louder, faster. Outdoors
The silent moon, the garrulous tides she rules.

Indoors ancestral curse-cum-blessing. Outdoors
The empty bowl of heaven, the empty deep.
Indoors a purposeful man who talks at cross
Purposes, to himself, in a broken sleep.

Louis MacNeice


 
What is this drama?

"Indoors the locked heart and the lost key."
 
I seem to have lost the ability to comment.
I'm at sea. Thinking, wondering, and no words come. 




Tuesday, 4 November 2025

Memory Green

Simon Garden


Memory Green 

Yes and when the warm unseasonable weather
Comes at the year’s end of the next late year
And the southwest wind that smells of rain and summer
Strips the huge branches of their dying leaves,
And you at dusk along the Friedrichstrasse
Or you in Paris on the windy quay
Shuffle the shallow fallen leaves before you
Thinking the thoughts that like the grey clouds change,
You will not understand why suddenly sweetness
Fills in your heart nor the tears come to your eyes:
You will stand in the June-warm wind and the leaves falling:
When was it so before, you will say, With whom?
You will not remember this at all: you will stand there
Feeling the wind on your throat, the wind in your sleeves,
You will smell the dead leaves in the grass of a garden:
You will close your eyes: With whom, you will say,
Ah where?

Archibald MacLeish

"You will not understand why..."
"You will not remember this at all."
 
 
I don't even know how to talk about this poem. It's about sensations and as-if's, about inexplicable emotions, states of mind and memory for which there are no words.
 

 I see that this is the poet's territory. The poet's work. Travel to the unmapped parts of the human experience and examine what is there. Not what is imagined, hoped for, dreamed - only what is true.
 
 
 "I Carried With Me Poems", by Gail Dusenbery  talks about becoming "the poet's accomplice".
I want to be that too. I want to go to the places there are no words for, and learn with the poets what is true.